
John Appleseed aka John Chapman

Fourth Street, Detroit, August 21 2009
Interesting websites including information on a documentary film and writing’s on Michael Pollan’s take on Johnny Appleseed:
http://www.tobascodagama.com/?p=421

John Appleseed aka John Chapman

Fourth Street, Detroit, August 21 2009
Interesting websites including information on a documentary film and writing’s on Michael Pollan’s take on Johnny Appleseed:
http://www.tobascodagama.com/?p=421
“I acknowledge that mankind’s irrational destruction of nature bothers me a lot. Mankind is slowly committing suicide–or not so slowly: each day it accelerates-producing all kinds of wastes: corporal, industrial, atomic, poisoning the earth, the sea, the air. He destroys the very environment that gives him sustenance. Centuries and centuries of civilization to arrive at this: What a piece of work is man! No other animal would be so stupid. Plagues of locusts are sporadic, they have a limit…” Luis Bunuel (from the book Objects of Desire: Conversations with Luis Bunuel. These were interviews with two of his Mexican friends Jose de la Colina and Tomas Perez Turrent. They took place between 1975 and 1977

lagoon (oil painting)
Websters New World Dictionary of the American Language circa 1972:
ecology 1. a)the branch of biology that deals with relations between living organisms and their environment b) the complex of relations between a specific organism and its environment 2. Sociology the study of the relationship and adjustment of human groups to their geographical environment.
environment 1. (Rare) a surrounding or being surrounded 2. something that surrounds; surroundings 3. all the conditions, circumstances, and influences surrounding, and affecting the development of an organism or a group of organisms

little victories (acrylic paint on wood block)

Barring a miracle or some other surprise, next Friday The NASA and the USA will send rocket smashing into the moon. They say it’s just to try to find water on the moon. Others say it’s a prelude to or step forward in the militarization of space.
Of course I concur with the Surrealists (at both of these sites):
http://theragblog.blogspot.com/2009/08/surrealist-group-no-war-on-moon.html
http://theunexpectedsound.blogspot.com/2009/08/no-war-on-moon.html
The war machines of Earth are not enough. They have to go after the moon now. It’s very ugly. When and if this happens, I’ll be disappointed, discouraged and disgusted.
Some of us love the moon! Make no mistake about that!
Further information:
Do Not Bomb the Moon
http://astronuts.tribe.net/thread/2f86bb31-f95e-44e6-9ccd-9368841e4345
Bombing the moon: Is this a good idea?
http://astronuts.tribe.net/thread/2f86bb31-f95e-44e6-9ccd-9368841e4345
not a bombing???
http://www.universetoday.com/2009/09/11/lcross-impact-site-on-moon-announced-cabeus-a/
NASA:

from the top of the World Trade Center in 1984
1. I first visited the top of the World Trade Center in 1984. I think I also got to the top a second time, at night. It was an amazing view. People who worked on the higher floors would comment about that, about how amazing it could be on a clear day.

ticket
After it was gone I had a dream that I was floating, weightless, in the same spot where I once stood on the observation deck. I’d think of that again when awake. I’d give people copies of the photos I’d taken from there, many years ago. Some put them on their refrigerators or bulliten boards.
The Empire State Building has a good view but to be near the top of the World Trade Center was just amazing. You could see miles in many directions. It gave you a different sense of New York.
2. Minoru Yamasaki designed the World Trade Center. He also designed several buildings in my neighborhood. The Education building (on the Wayne State University Campus) especially reminds me of the Trade Center. Off and on I’ve got an eerie sense of deja vu (or a sort of “disconnect”) while walking through it. It was built in the 1950’s, a few years before the Trade Center. Yet something about the design seems similar.
I spent some time around the Trade Center, mainly at afternoon concerts or else just passing through. It was part of New York.
3. Like many people, I also got a strange feeling looking for the Trade Center, staring at where it always was (and have it “not there”). I remembered streets in the Village where I could see it and now I couldn’t.
This was especially strong in my first visit after the tragedy, in August 2002. There were still memorials around the area with photos of the missing people. Some of these were surprising and very moving.
At Ground Zero, the scene of the crime, there was still a bad smell in the air and I even coughed a bit. I did a few drawings of what I saw there.
5. It had been awhile since the United States of America was really attacked. During the War of 1812, Washington was burned by the British. This happened in August of 1814. The White House was badly damaged. Many important buildings were destroyed.
I’m not exactly sure of the next time this country was attacked by “distant powers” or foreign governments.
I think that it was in World War One. There were German attacks on the United States. These were incidents of sabotage.
One, near Jersey City was especially destructive. Ammunition was waiting transport to the war. There was quite a lot of it, including TNT and other incendiary explosives. It was blown up, attacked.
A number of people were killed. The Statue of Liberty was badly damaged. Windows were blown out in Manhattan. People could feel shock waves from it nearly a hundred miles away.
This latest attack, in 2001, is by far the worst and most deadly.
6. I’ve watched a lot of films and videos and read a lot of books. I’ve gone through periods where I really immersed myself in deep and detailed studies of the terrible events of September 11.
One recurring thing is that it seems like the same story told again and again from various perspectives and places. The planes hit and the towers come down.
There were some amazing escapes and survival stories. Some of these were through chance, such as the man sent down to the first floor to vouch for some clients, just before the plane hit. Life and death could be as unpredictable as a coin toss or a throw of the dice.
Then there were stories like the group who cut their way out of a stalled elevator using a metal window-cleaning squeegee. There were some amazing escapes through combinations of resolve, forward motion and luck.
The best estimate I could find is that between 13.000 and 15,000 people were successfully evacuated from the Trade Center while over 2000 were killed. If things had been different, the survival rate could have been a lot higher.
7. There’s plenty more I could talk of. These three sites below seem to have good information if you want to do further research. In memory of those killed, in New York and elsewhere. Then too, all my best to their survivors.
http://september11.archive.org/
“an estimated 13,000–15,000 persons successfully evacuated the two World Trade Center (WTC) towers….”:
http://www.cdc.gov/mmwr/preview/mmwrhtml/mm5335a3.htm
historic attacks on the U.S.:
http://en.wikipedia.org/wiki/Burning_of_Washington
http://www.njcu.edu/programs/jchistory/Pages/B_Pages/Black_Tom_Explosion.htm

a section of the Mosaic at Grant's Tomb
I managed to pull it together to get to New York a bit for part of my vacation. Took the overnight hound in (my usual M.O. or “method of travel” though I sometimes train in or fly or get a ride).
Day one, Tuesday, August 25th:
A nice day (warm to hot), in the NY late Summer. I got by the Guggenheim museum and saw selections from the “Sweeney decade.” These included works by COBRA painters Karel Appel and Pierre Alechinsky. Other favorites were paintings by William Baziotes, Willem De Kooning, Jackson Pollock, Jimmy Ernst and Antoni Tapies.
There was also a small expressionist show. The “regular collection” included some strong Van Gogh and Picasso work. They’re in the process of dismantling the Frank Lloyd Wright show to make room for Kandinsky.

at the Guggenheim Museum
I got by Central Park a bit. I noticed that Cecil Taylor was performing last night at the Highline Ballroom. I finally got there (after a lot of walking in the heat) only to find the show had been postponed until Monday next week!
He’s one of my favorites so that was a big let-down. I’ve had similar experiences here (most recently when I tried to go see the late Blossom Dearie, a unique jazz singer). I guess I should phone first, or check the website.
It was too late to go to a movie or something so I just wandered the streets, a shoulder bag on each shoulder, not too heavy, luckily. I got by Union Square. 14th street is still an interesting walk, with it’s own lively flavors.
There’s a sense around town of the Summer ending and University students preparing to start new studies. I just love going around the city, keeping my eyes and ears wide open. Just seeing over a thousand people in one day, can help “recharge my batteries.” New York has a lot of human energy.
I’d liked to have shot some video, but the store I was using for cheap video cameras seems to have discontinued the product. They sold a one-time use video camera give it back to you on a DVD after “developing” it. I also didn’t bring an audio recorder so I’m limited to “stills.”
I took the subway to Brooklyn and caught up with my old friends Bill and Margie. They’re great people and excellent hosts. Thanks for giving my hat a home here, now and then.
Of course, I slept like a rock and am about to head out for day two, Wednesday, August 26:
I went by a used bookstore and food a 1970’s book on the visual art of Victor Hugo. Stopped by a French-style cafe for coffee and breakfast, very good.
I took the subway to Times Square and 42nd Street. With a few breaks, I walked all the way to Grant’s Tomb in Riverside Park. This is around 122nd Street, so a good walk. Much of it was through Central Park. It was a beautiful day with golden sunlight and not too hot.
There I caught most of a set by Frank Wess. He played tenor sax and flute. He’s an interesting figure in jazz. I think he started playing in the 1940’s. He knew Ben Webster and Lester Young. He was in the Count Basie Orchestra in the 1950’s and 1960’s. Last night, he had a quintet, bass, drums, guitar and baritone sax. It sounded great.
I got his 2008 CD, Once Is Not Enough, met him briefly and got it signed.
I went back to Brooklyn and got by Freddy’s Bar in Brooklyn. I visited with Bill and some of his friends, got back and slept.
Now, I’m about to head out for day three, Thursday, August 27:

On the Stoop
Then I walked around that neighborhood, made my way to Port authority and my bus. Had worse luck on the return trip/ they over booked the buses so I was stranded 4 or 5 hours in Cleveland. I got a lot of reading & drawing done. I can always find something to “entertain myself.”

World Famous Fun City

Grand Central Station, Tuesday
I’ve ridden the buses all over all my life. It’s still often a cruel bus system. Most of the drivers are fine. They seem pleasant and hard-working enough. I’ve seen riders yell at drivers and give them grief. I don’t like to see that.
I’ve only had a few bad experiences with drivers. I’ve been intentionally passed by when I’m standing at a proper bus stop. I’ve been given a transfer with the wrong date or time. When this happens I’ve had to pay two fares instead of one as the transfers taken as “no good.” There are rare exceptions.
I think that the buses run far better than they did at the worst. There’s been some real improvement. There’s a new Rosa Parks Transit Center in downtown Detroit.
It’s rare that I have major problems dealing with our bus system. It’s often unpredictable. I often wait for 45 minutes to an hour yet that happens less often than it used to.
Yet serious problems is what I’d have if they went through with the proposed service cutbacks:
http://www.freep.com/article/20090813/NEWS01/908130446/1320/Bing–End-all-bus-runs-on-Sundays
I ride the buses on the weekends. I work Saturdays. I’d hate to see them cut weekend hours. If they cut Sunday service, I couldn’t go visit my parents, friends and siblings unless I walked, hitchhiked or talked someone into giving me a ride. Maybe I’d be forced to ride a bike. It’d be a long ride.
Aside: (I’ve nothing against biking. It’s been years since I’ve done so and I’m open to it. I’m just a little paranoid about getting hit by cars, dogs etc. I’ve never had a car or a driver’s license).
The city of Detroit has suffered due to the decline of the auto industry. Yet there are plenty of other reasons we’re in trouble. These include bad decisions, corruption, thievery, yes there was some of that as well.
The economy here was in bad shape long before the rest of the country caught up to us. If the bus system must suffer (even for a short while), we’ll probably end up with route cuts. fare increases and pay cuts/concessions for DOT workers.
All of these are bad, but to me, drastic route cuts are the worst. I’d rather the buses come once every two hours than not to run at all. If they ran less often but ran on time, one could just try to get there a bit early.
For more of my thoughts and observations as a longtime bus rider, you can click on to my 2005 piece for the on line magazine the detroiter:
http://www.thedetroiter.com/apr05/busstory.html
SIX REASONS NOT TO CUT BACK ON DETROIT BUS SERVICE:
1. Disruption in bus service badly hurts those who are poor, homeless unemployed, handicapped or elderly. Aren’t these people we should try to help? To make their lives easier not harder?
2. If people can’t get to work, they’ll lose their jobs. People still work on the weekends.
3. If people can’t bus to stores and to events in Detroit, they’ll spend more money in the suburbs and less in the city. People will have to forgo Detroit events such as the Concert of Colors and the downtown festivals.
4. It would make it more difficult to visit family and friends. Sometimes you don’t have the time and energy to go visiting during the week.
5. Having less bus service on weekends would limit an entire field of possibilities for leisure time: no way to get to a lot of places. Isn’t our city meant to be available to be enjoyed by all it’s people, not just those with cars or money for taxicabs? Why reduce the “quality of life” for a portion of our citizens?
6. Riding buses is better for the environment. Ten to thirty people riding together creates less pollution.
Let’s hope that all of this is resolved in ways that aren’t too unfair or even brutal. We will see.
the “Detroit Yes” forum on our bus woes:
http://detroityes.com/mb/showthread.php?t=2053&page=2
a little history:
http://www.detroittransithistory.info/DDOT/DDOT1000-1100fleet.html
DOT Site:
http://www.ci.detroit.mi.us/Departments/DetroitDepartmentofTransportation/tabid/80/Default.aspx
also:
http://cynicalsynapse.wordpress.com/2009/08/25/detroits-mayor-bing-on-the-wrong-bus/

M.G. Lewis (9 July 1775–14 May 1818)
I recently finished reading Matthew Lewis’ classic gothic novel The Monk. I read in back in my 20’s and it was good to read it again.
Lewis wrote “The Monk” in one great outpouring. He was quite young when he wrote it, in fact still a teenager. He was inspired by Ann Radcliffe’s The Mystery of Udolpho (1794) which had recently been published.
I’ve read this before too. I’ve always enjoyed the gothic novel as a genre. The Monk is one of the wildest. It was well loved by the Surrealists.
Luis Bunuel had hoped to film it. Later, the script he worked on was used for a film version directed by Ado Kyru.
It was Lewis’ greatest success but it was also banned and censored. He died of the yellow fever at age 42.
A few passages:
“‘The Fire-King’ seems to be a Man formed of all flames : He raises the Meteors and wandering lights, which beguile Travelers into ponds and marshes, and He directs the lightning where it may do the most mischief…”
“My blood ran cold, as I gazed upon this melancholy abode. The cold vapours hovering in the air, the walls green with damp, the bed of Straw so forlorn and comfortless, the Chain destined to bind me for ever to my prison, and the Reptiles of every description which as the torches advanced toward them, I descried hurrying to their retreats, struck my heart with terrors almost too exquisite for nature to bear.”
“…His hands and feet were armed with long Talons: Fury glared in his eyes, which might have struck the bravest heart with terror: Over his huge shoulders waved two enormous sable wings; and his hair was supplied by living snakes, which twisted around his brows with frightful hissings.”

Car Debris and Broken Balloons (from my 2008 MOCAD exhibit)
I have an huge collection of found objects/found materials. Many artists have something of the “pack rat” in them. One model in this is the great Joseph Cornell. He pioneered the use of found objects arranged inside of boxes. These formed most most astounding and surreal configurations.
He’d build his own boxes and fill them carefully. I was inspired by photos of his studio. He had such a wide variety of stuff, sorted out so neatly.
I worked at “Crowley’s” (a Detroit Department store) for fourteen years. In that time, I managed to save hundreds of coin roll boxes. They came in four sizes: penny, nickle, dime and quarter. These sturdy boxes proved perfect for storing the lion’s share of my found object collection.

Natural Debris and a Shredded Money Archive (from my 2008 MOCAD Exhibit)
I also noted that, what formerly held $$$$$, now was used to store broken toys, dryer lint, wasp’s nests, streetlight glass, thorny twigs and so on. I also have a collection of shredded and torn money.
I guarantee that I didn’t tear up or shred any of this money myself. Most of it is shredded by the U.S. Mint and then sold off as souvenirs. The sales people used to save ripped corners of bills for me, when they’d turn up in the safe.

My 2006 "Dally in the Alley" Poster
It seems that Detroit artists have a very high ratio of using found materials in their work. Tyree Guyton’s Heidelberg Project applied thousands of found objects to abandoned houses, trees and more. His work adds to this atmosphere here, of “magical recycling.”
My found object archives is an intuitive means of recycling. A precise, ongoing accumulation takes the form of a series of “pile-ups.”
I use these materials in many ways. I make collages, shadow boxes, assemblages (nailed or glued to wood) and more. I also enjoy stuffing clear plastic “blister packs” with a variety of stuff.
I’ve always sorted these collections by substance: glass, wood, paper, plastic and metal or the main categories.
Thus, going to the recycling center creates a sense of deja vu. I sort everything out by substance and place it in the proper bin. Plastic is even sorted out by the type of plastic. My neighborhood center is very communal as various people unload their unwanteds (and save them from ending up being burned or going to a landfill).
This reminds me of one of my old dreams: to have a sort of artist’s collage-found object “swap meet.” We could trade our treasures with each other. One person might have a large cache of doll parts, while someone else might have extra wallpaper sample books. It could be played like some surrealist game: part potlatch and festival, part treasure hunt.
http://www.josephcornellbox.com/
http://www.agilitynut.com/h/heidelberg.html
http://www.nytimes.com/1990/07/02/us/detroit-journal-one-man-s-treasure-another-s-junkyard.html
http://maugre22.wordpress.com/2009/04/24/mocad-exhibit-in-2008/
http://en.wikipedia.org/wiki/Blister_pack
Other things collected: feathers, plastic letters, stones, rusty metal, seed pods, cotton, marbles, steel wool, bottle caps, broken clocks, string, foil, rubber bands and much much more.

I stand by the previous manifesto/statement. Many people would agree with most of it but yes, what are you going to do about it?
As per comments, yes parents are important and I know that raising children entails tons of dedication and hard work. My hats off to those who dedicate themselves to that path.
My “For Art and Artists” blog better describes my description and discussion of what art is to me and what it means to me. I certainly didn’t mean to say that every mediocre artist should be handed our love and our money.
Yet few people really both understand art and artists and to stick up for them, defend them. I try to do both as best I can.
This is a new manifesto. Some of this I’ve said again and again my whole life. Yet I always try to distill it, narrow it down and give it new life.
I’ll be reconfiguring this a bit and passing around “paper copies” as well. These are directions in the sense of having a group of “points of focus.”
I list them first, then discuss the list a bit, point by point.
Anyone who does anything to encourage, promote or to help bring any of these about is truly “on my good side.” Friends! How will we change the world? What do we need to do?

my drawing "Art Therapy for a Sick World"
1. For women, with women, universally, once and for all…
2. In defense of children, their health, their very lives and more…
3. For the earth itself and all its natural life, its health and future…
4. With the “native peoples” everywhere, those “with the land”…
5. Internationalist! To be with all nations and all peoples…
6. On the side of the poor and the homeless, their health and survival…
7. Feed the hungry, try to reduce starvation everywhere…
8. Try to heal the sick and to prevent disease, make it less epidemic…
9. Find ways to reduce and limit all violence and its wars…
10. For personal liberty, to be allowed to be who you really are…
11. Give total support to the arts and its creativity…

cast (from April 2000 in brush and ink)
Here, I go through each of the points above, in more detail.
1. Women should have more liberty and more power. This starts with their safety and health (reduce the ’sexual violence” and brute violence against them, help them to stay healthy etc.) . The chances for fair wages and for better jobs are also important. They often earn less than men for doing the same work.
2. Here’s to all children everywhere! From the newly born to the teenagers: help prepare them to live and to survive. It’s good to lay a groundwork so that they can be good adults in the world. This is directly tied to both educational and health issues.
3. We need to care about our own home! We need to defend the earth, the physical world in which we live: the dirt, water and sky and all the life, the plants , animals and people. We need to stand against what harms the earth including pollution and global warming.
4. The “native peoples” or indigenous peoples start as those tied closely to the land, to nature. Then, far too often, they’ve had their land stolen from them. Or they themselves have been stolen and used as slaves or otherwise exploited. Future such actions should be discouraged and prevented. Yet we mustn’t forget the past. Reparations, affirmative action etc. should be used at times, as effects of past injustices still persist and linger.
5. It’s good to be a citizen of the world! Internationalism can be a strong force toward changing the world, in making a better life, for all nations, for all peoples. Away with too much senseless “territorial-ism” and “tribalism.” Not “globalisation” or merging into one bland monoculture but embracing diversity. Vive le difference!
6. The poor and hungry are often too busy being poor to fight for their own rights, for their survival. This is tied to economic, health and food issues. Some countries are poor and most of their people are hungry. Then, there are those who are “down and out” within fairly rich or successful cities.
7. Take a stand against starvation! It’s hard to separate this from poverty. Most people who don’t eat enough do so because they can’t afford or find enough food. There’s a lot of food in the world. A lot of it gets wasted.
8. Try to help heal the sick and injured and reduce their pain. Try to prevent disease as best we can. Universal health care is only part of the equation, yet it can’t be denied.
9. I don’t know why the human beings seem to be so violent! We need to find ways to limit all violence and even reduce the amount of wars. Men seem to be more violent than women and children. They also have more power. Could there be a connection somewhere? It doesn’t have to be as dangerous as it is.
10. Is liberty a phantom, something difficult to grasp or hold? If freedom isn’t free, does that mean it’s in shackles? Is the price we’re prepared to pay for it finite? Does it have an end? If some manage to become their truest self, others are busy with other things, distracted. It’s essential, even urgent yet hard to pin down.
11. The arts and their artists are far more important than we realize. Artists have a valuable part to play in the world. They should be encouraged and given some support. A true Renaissance seems to be at hand. Magical creativity may yet find its way. Hard work can produce a great many interesting surprises.